A Guide to Brushes: Eye Brushes Part 5: Liner Brushes

The next part of my massive brush series is liner brushes.

Fine Liner Brushes

The classic fine liner shape is perfect for liquid liners, here is a Kryolan synthetic fine liner brush  (that is super bent--sorry, I keep forgetting to fix that) and a discontinued NARS.  I like to use them even when the liner in question has a felt or sponge tip.  They draw a super fine line and are great for basic liner application as well as wings.  I also like using them for gel and cake liner or dampened eyeshadow.  If you want to do a really thick wing, I think you'll find it frustrating to use a brush this fine, and they're not known being beginner friendly, but still an important and useful brush.

Pointed Liner Brush

A thicker and often stiffer brush than the finer liner brush, the pointed liner brush, this one is by Laura Mercier, tapers from the ferrule, where it is round, to a thin point.  It's a great brush for thick liner and it's size makes it more user friendly than finer brushes.  It won't maneuver around the lashline as well as the finer brushes, though, but if you do "big" liner a lot, you'll probably like it better.

Gel Liner Brushes

The gel liner brush (Sephora's, a definer brush from Laura Mercier, and the Ultra Fine liner from Bobbi Brown) combines the best of both the previous brushes, it's wide at the pinched ferrule then tapers to a point, often making a triangle shape along the way.  These are often sold as or packaged with gel liners, and they really are great for them.  The unique shape offers both flexibility and stability, so they are my number one choice for beginners at gel liners.  These are also perfect for using eyeshadow to line the eye, either wet or dry.  Outside of the eye area, these brushes make for great spot concealing brushes.

Another style of gel liner brush ends in a rounded square shape; these are a soft Stila 4 and a stiffer Make Up For Ever 2s.  They are also good for gel liner, especially the MUFE one, and I love them for powder eyelining.  They are also great for blending pencils after they have been applied to the lash line.

Flat Liner Brushes

The flat liner brush is virtually a necessity if you tightline, which, in case you don't know, is to line by putting liner into the base of your lashes from underneath (it's not to be confused with lining the inner rim or waterline of your upper lashes).  A cake liner and one of these babies and you are good as gold.  They are also good for pushing liner into the lashes from above, especially a cream or gel texture or powder shadow.  Either way they give an "un-made up" look with fuller lashes.  These brushes are a Stila 13 (a little wide for my rounder eyes), a Laura Mercier, Paula Dorf, and an Ulta.

Angled Liner Brushes

Angled liner brushes are another category that multi-tasks (yes, that tiny brush on the far left is angled, it's by Sublime/Brandon, next to that is a Japonesque, MAC 266, Benefit Hard Liner, and Real Techniques Brow Brush).  These are as useful for brows, if not moreso, as they are for eyelining.  As brow brushes, they apply brow powder, powder eyeshadow, or cream and gel brow products to fill in and define the brows.  The Benefit hard angle is my usual brow brush for use with powder eye shadows and the MUFE waterproof brow corrector.  As eye liner brushes, they are commonly suggested for use with gel liner (I know MAC sales associates have often pushed it), and I have seen some great things done with them, but they do not work for me to apply my own gel liner and often apply too thick of a line for my tastes.  I do like them better when used on someone else, and they are terrific for creating a wing at the outer corners (which is why I think they are often suggested).  They are also good for applying eyeshadow as liner or for blending pencil.  I think, as a brow brush they are essential, but as a liner brush, I only suggest them if you struggle with your wings. 

Pros and Cons

Pros:  One of these liner brushes should be in your brush collection.  The fine liner offers the most control and creates a multitude of looks.  The pointed liner brush works for dramatic looks.  Gel liner brushes are (obviously) made for gel liner; they're great for beginners and offer both precision and ease of use.  Flat liner brushes fill in the lashline, making lashes look thicker without a definite line.  Angled liner brushes are superb for eyebrows and great for getting a good flick on eyeliner.  Even if you only use pencil liners, you'll probably want one of these brushes for blending or applying eyeshadow to lock it in.

Cons:  What fine liner brushes offer in flexibility they lack in ease of use.  The classic "liquid liner is so haarrd!!" cliche is probably due to this brush.  (I should probably clarify that I love this sort of brush and have used the two shown here practically to death).  The pointed liner brush can be unwieldy in it's size and stiffness.  Gel liner brushes are great, but I know some of them can splay and not offer a fine enough line.  Flat liner brushes are essentially unitaskers, and they have the problem that they must be held perpendicular to the lash line, and if you're nearsighted (as I am), you'll likely hit the brush handle into the mirror.  Angled liner brushes work for some people, but they don't work for me. 

The burshes featured in this post are: Kryolan Professional Size 0 Round Details Brush (No. 4300), NARS Liquid Liner Brush (dc'd; I don't know how the current version compares), Laura Mercier Pointed Eyeliner (from a double sided brush), Sephora Gel Liner Brush #26, Laura Mercier Wet/Dry Definer Brush, Bobbi Brown Ultra Fine Liner Brush, Stila Precision Eye Liner Brush #4, Make Up For Ever Eyeliner Brush 2S, Stila Flat Liner Brush #13, Laura Mercier Flat Eyeliner (double sided brush), Paula Dorf Eye Definer (from a set), Ulta Flat Eyeliner Brush, Sublime Small Angled Shadow Brush, Japonesque 940 Angled Eyeliner (travel), MAC 266, Benefit Hard Angle Liner Brush (this looks different on their website, no idea if it's comparable), and a Real Techniques Brow Brush (from the starter set).  All brushes were purchased and I received no comepensation for featuring them.

A Guide to Brushes: Eye Brushes, Part 4: Angled Eye Shadow Brushes

Part four of my brush guide is angled shadow brushes.  These come in two styles: round and flat.  Think of either the blending crease brush or the flat shader brush sliced at an angle.  These are versatile eye shadow brushes, good for applying and blending eyeshadow.

Round Angled Shadow Brushes

Here are three sizes of round angled brushes; they are Paula Dorf Eye Contour, Hokuhodo G515 (Canada squirrel) and Make Up For Ever 18s.  They are all good for applying eyeshadow to the crease, and the three sizes would then fit different eye shapes.  They work well in a windshield wiper back and forth in the crease.  The largest is great for softening all edges after everything is applied.  I love the smallest also for applying eye shadow to the outer corner, patting it on really gets a good dark outer corner. 

The angled shape really fits into the crease well, and is great for a defined crease.  One thing I really love about them is that, as opposed to using one of the rounder or oval blending brushes to apply to the crease, you don't really get any shadow on your lid, it stays limited to the crease and upper lid areas.  This is amazing if you have small eyes because you can create the illusion of a larger lid space.

Flat Angled Shadow Brushes

These flat angled brushes are a Hakuhodo 239 and a MAC 275.  The MAC is the second brush I've featured that I haven't actually liked, I think.  The Hakuhodo, on the other hand, is divine, so consider all the pros related to that one and the cons for the MAC.  These are good for applying eyeshadow to the crease by using the tip of the brush; the angle fits nicely into the crease.  I also like them for a soft wash, and if you want to apply a large shadow use them the other direction across the tip.

You can use these brushes just like you would a medium or large flat shader brush, plus the angle means they're better for the crease.  It's also a good shape for shading the sides of the nose to make it appear slimmer from the front, which I really need to remember to do for my photos. 

Pros and Cons

Pros:  These brushes' unique shape allows for them to fit precisely in the crease.  The shape of the round ones in particular, make for almost foolproof crease placement.  They are a great finishing brush, too, blending out any harsh lines without disturbing placement.  I love them for outer corners and creases. 

Cons:  As a more unique brush shape, they might be either hard to find or expensive.  If you're building your brush collection, they probably won't be your first priority.  I think it's definitely worth having one of these, but I think you're more likely to buy one if you find traditional crease and blending brushes not working for you. 

The brushes featured in this post were Paula Dorf Eye Contour, Hakuhodo G515 Eye Shadow Brush CM Angled, Make Up For Ever Eye Shadow Brush 18s, Hakuhodo 239 Eye Shadow Brush Angled, and MAC 275.  All were purchased and I received no compensation for featuring them in this post.

Sephora By OPI Why Yellow There, Is It Payday Yet?, and Give Peach a Chance: Pastel Nail Polish swatches

Here are three beautiful pastel Sephora by OPI and some terrible swatches of them.  I have a deep love for yellow nail polishes, especially pastel yellows, and how could Peachy pass up a pastel peach nail polish.  As pastel creams go, these have a terrific formula.  All these swatches are three coats, which I did because my nails are in terrible condition right now.  They would certainly be opaque in two if you have nice nails or use a ridge filling basecoat to smooth things out, which I did not.  They weren't streaky at all and the wide brush SOPI has switched to works well for these to further prevent streaks.  I pretty much did one stroke for each nail, instead of my usual three.

Why Yellow There

A beautiful buttery pastel yellow.  It's a great warm pastel yellow--Sephora aptly calls it buttercream--which is nice because most pastel yellows I find are citrusy, cool green toned yellows.  This might be my dream polish, and it applies like a dream.  Forget the cliche of terrible to apply yellow polishes, this is not one of them. 

Is It Payday Yet?

I don't need to keep raving about the formula, do I?  This one dried a little darker than in the bottle, but it's a pale lime green either way.  Another great color description from Sephora, as this one is described as key lime pie.  Yummy! 

Give Peach a Chance

I love it when Sephora by OPI or OPI has a cute polish name, on account of the cringeworthiness of most of them, but how can you not love "Give Peach a Chance."  This one is a super pale peach; Sephora describes it as nude peach, which I don't really see.  It's not an overly pink peach, it has a nice yellow base, but is pretty neutral, so maybe that's what they mean.  I think it could work as a conservative workplace color without being dull or blah.  I really want to try my first gradient with the three of these.  I'll post pics if I do.

I totally forgot to watermark all these pictures.

A Guide to Brushes: Eye Brushes, Part 3: Blending Brushes 2

Part three of my brush guide is all about crease blending brushes.  These brushes are good for either applying color to the crease, blending color already applied to the crease, or both, and they all have round ferrules.  This post features some of my favorite brushes, and certainly my favorite styles of brushes.  At least one of these styles is a must for anyone's brush collection

Pointed Crease Brushes

From smallest to largest, Hakuhodo 146 (blue squirrel), MAC 226, Hakuhodo 142 (blue squirrel), Bobbi Brown Eye Blender.  The smallest of these brushes is less tapered than the larger ones (but still ends in a point, which is why I included it in this set); it is great for applying color to the crease or for really careful blending of a strong or cut crease.  The medium and large brushes have a fat belly, which tapers to a point.  The medium sized brushes are good for applying a basic crease on small to medium eyes.  The largest of these brushes is probably too big for applying to anyone's crease, but it is a good finishing brush for removing edges, especially since it's soft.  It's also a fantastic powder brush for small areas; it's my go-to undereye powder brush.

The pointed crease brush is really useful because the tip gets into the deepest part of the crease and the surrounding taper blends it as you go.  If you're new to blending eyeshadow or not very good at it, this brush does a lot of the work.  I'd suggest using this brush in a windshield wiper motion, going back and forth in the crease.

Rounded Crease Brushes

MAC 224, MAC 222 (goat), Urban Decay Crease Brush (synthetic), Paula Dorf Sheer Crease, Daniel Sandler Blending Brush.  These brushes are quite similar to the pointed crease brushes, except that, instead of coming to a point, they end in a dome shape.  The Paula Dorf actually was tapered when I first bought it, but a few uses and washes and it fluffs out into a rounder shaper, which is what I wanted from it, so I'm including it here.  These are great crease brushes and work well for applying a wash of color on the lid, too.  I should probably say that I'm not a huge fan of the MAC 224.  I'm willing to give it another try after using a brush guard on it (for this picture), but I still think it's too floppy for applying shadow and not great for blending it either.  A lot of people love it, though, so I'm not excluding it on personal bias.

These brushes are amazing for buffing shadow into the crease, using small circles.  The Paula Dorf and Daniel Sandler brushes are both favorites of makeup artist and YouTube guru Lisa Eldridge, who uses them in a lot of her videos, so I suggest watching to see these babies in action.  Actually, what are you doing reading this garbage; go and watch her videos now, all of them, and learn things I couldn't even start to teach you.

Domed Crease Brushes

RT Deluxe Create Brush, Sonia Kashuk Large Domed Eye Shadow Brush (goat).  These large, fluffy brushes are very round along two axes.  The SK one is nearly spherical in shape.  I really like these for blending the outer corner, but they're good for blending really large creases (either anatomically or application-ally).  When I first bought the SK, I tried to use it as a crease brush, and the results were frightening.  I imagine with a lighter hand it could work, but I still think it's best to stick to it for blending.

These also make for amazing concealer brushes.  The RT, because it's synthetic, is actually one of my go to concealer brushes, as it is for it's creator.  I like it as a concealer brush so much that I'll be including it in that post, too. 

Synthetic Crease Brush

I had no idea what to call this brush, so I just called it what Sonia Kashuk does.  This brush is, obviously, synthetic and is perfect for applying cream eye shadows to the crease.  I think that's something often overlooked by brush manufacturers.  You see, this isn't just a brush made synthetic for people who don't want animal hair (like the UD Crease brush above), it's a brush that's actually great for using cream eyeshadows in the crease.  I also use it to apply cream eyeshadows to the mobile lid.

Smoky Shadow Brushes

This is a great brush style; it's a personal favorite of mine, and the Smashbox 15 on the left is my first department store brush (it's still awesome).  Featured alongside are a Hakuhodo Kokutan T (blue squirrel) and an Essence of Beauty Crease Brush.  This style is a must for small eyes or deep creases.  They are also amazing for blending eyeshadow under the eye, deepening the outer corner, highlighting the inner corner, and they're often marketed to be used to apply a thick, smoky line of shadow around the eye (hence their title).

I could say of a lot of brushes that I would recommend them, but this style, I actually do, all the time.  I don't think there is a thing this style of brush can't do.  Whether you like smoky looks, or really defined looks (or both), this brush can do it.

Pros and Cons

Pros:  The brushes featured here are some of the most useful brushes to have.  There isn't an eye shape or size, whether you have a crease or not, that won't find at least one of these brushes useful.  They are terrific for crease application, crease blending, and some of them are good for outer corner and under the eye.  Because they tend to be softer than the oval blending brush, they are useful if you tend towards a heavy hand when blending.

Cons:  As great as these brushes are for blending the crease, you may need to use another blending brush in tandem when creating a smooth gradiant.  But honestly, if they suit your style, you could likely use any one of these brushes for anything you need to do, they're that versatile and essential.

The brushes featured in this post are: Hakuhodo S146, MAC 226 (LE), Hakuhodo S142, Bobbi Brown Eye Blender brush, MAC 224, MAC 222 (dc'd), Urban Decay Crease Brush (from the Naked 2 Palette, though it is available separately), Paula Dorf Sheer Crease Brush, Daniel Sandler Blending Brush, Real Techniques Deluxe Crease Brush, Sonia Kashuk Large Domed Eye Shadow Brush, Sonia Kashuk Synthetic Domed Crease Brush, Smashbox 15 Brush, Hakuhodo Kokutan Eye Shadow Brush T, and Essence of Beauty Crease Brush.  All were purchased and I received no compensation for including them in this post.

A Guide to Brushes: Eye Brushes, Part 2: Blending Brushes 1

Part two of my comprehensive brush guide is blending brushes, which will be separated into two posts themselves.  This post features blending brushes with pinched ferrules, while the next post will feature round ferrules.  The pinched ferrule makes this set wider than they are thick, so they have two directions to use.  The pinched ferrule makes them similar to the previously featured flat shader brushes, but they are all fluffier and thicker, which makes them better suited to blending than the shaders are.

Fluffy Blending Brushes

Here we have three very large blending brushes: Hakuhodo Kokutan L, Paula Dorf Eye Blender, and Kokutan MLL.  They're pretty big; the Kokutan L is an inch long, 5/8 inch wide at the ferrule and 1/2 inch thick.  The two Hakuhodos are both blue squirrel, and the Paula Dorf is soft too.  I wish all brush purveyors would list the hair type on their website.  Of course, then they might face the wrath of PETA.  Heh.  I guess you've noticed these brush posts are not for vegans.

These brushes are all super soft and great for applying a soft wash of color over the whole lid area and for all over blending. Since they're so soft, they're great for heavy handed blenders, but since they're huge, they're terrible for detail blending. I like to use them "off-book" for applying cheek highlighter, blush, and powdering small areas.

Oval Blending Brushes

The be-all and end-all of blending brushes for a lot of people, here we have MAC's classic 217, also a Sephora Pro Oval Blending brush 27, Real Techniques Base Shadow Brush, Sephora Classic blending 29, a Paula Dorf eye shadow brush (sorry; it's from a travel set I've had for forever), and a RT Domed Shadow brush.  The two white are goat hair, the two RT's are synthetic and the other two are soft hair of unknown origin.  MAC's 217 is a beloved brush by many people, for blending edges, for applying color to all parts of the mobile lid, and for applying to the crease.  I think they're great for both blending and applying to the lid, but I almost never use one for the crease.  I don't think it suits my own eye shape, but, honestly, I never use it for anyone else's crease either.  The goat is good for light touch blenders, a group to which I belong, but if you're heavy handed, you  might find the synthetics or a soft hair, like squirrel more suited to your technique.  The goat hair also holds up better to cream products.

These blenders are great for applying a smooth gradiant over the lid and into the crease, a feature lacking in flat shader brushes.  That makes these useful for smoky eyes and cat eyes (a cat eye, though often a mislabeled doe eye, which is eyeliner that flicks out at the end, is used here to mean eye shadow that emphasizes the outer corner in a point.  I suppose I could use the internet invention "outer v," but I think that would confuse you, as they're often first added with a detail brush.  Not to mention the fact that the "outer v" as a thing is both nonexistent and silly.).  An overall great blending brush and shadow brush, these are also good for concealer.

Pros and Cons

Pros:  These are  great all around blender brushes, good for both application and blending.  Very good for creating a gradiant; they work well in conjuction with flat shader brushes to create a wide variety of eye makeup styles.  The fluffy brushes will apply a sheer amount, and are good for all over blending on large eyes.  Oval blending brushes are denser and great for both applying and blending, and a lot of people use them for crease brushes too.  Look for hair types that suit your blending style; denser goat for light handed blenders, softer hairs like squirrel for heavy handed blenders.  Both types of blenders are great multi-taskers, being useful for face powder and blush/highlighter or concealer.  It's a good idea to have more than one blending brush in your collection, whether you need an assortment of sizes and shapes has a lot to do with your eye shape and what you want them for.

Cons:  I think oval blenders are ill-suited for creases, and people with small eyes or deep creases will likely agree with me.  When they are used for creases, it often results in a lack of precision.  The fluffy blending brushes are probably also too large for people with small eyes, too.  These sorts of brushes are a hit or miss; if they work for you, they are probably staples, and if you don't, you find yourself frustrated and confused why they seemingly work for everyone but you.

This post featured: Hakuhodo Kokutan Eye L, Paula Dorf Eye Blender (the eye blender currently on the website seems smaller), Hakuhodo Kokutan Eye MLL, MAC 217, Sephora Pro 27, Real Techniques Base Shadow Brush (found in the Starter Set), Sephora Classic 29, Paula Dorf Eye Shadow (from travel set, dc'd), Real Techniques Domed Shadow Brush (from Travel Essentials).  All brushes were purchased and I received no compensation for featuring them.

A Guide to Brushes: Eye brushes, part 1: Flat Shader Brushes

This is part one of a comprehensive series on brushes. I decided to start with the ever handy flat shader brush, sometimes called a laydown brush.  It's the most basic of all the eyeshadow brushes, and I think when you're just getting into brushes, it's probably where you should begin.  The shader brush is available from nearly every brush line at every quality level, and in every possible fiber from synthetic to goat to super high quality kolinsky.  This post will cover three sizes: small, medium, and large (okay, kind of obvious, but I could have called them Huey, Dewey, and Louie, and then you'd be confused).  I will also discuss uses for each size, brush hair, and how you should pick a shader brush.

Small Shader Brushes

These brushes are both about 1/2 inch wide and are the smallest shader brushes in my collection.  The one on the left is a Sephora synthetic and the one on the right is a sable brush from a beauty store.  In this case, sable probably means blunt-cut, like a second from a higher quality brush.

This size is obviously good for smaller lid areas, so if you have small eyes, you might want to consider this size.  It's also good for detail work, applying eyeshadow to the inner third, highlighting the center, or darkening the outer third, as its small size ensures dense placement.  It applies a strong highlight to the brow bone and shadow under the eye to define.  This size also makes a terrific lip brush, especially for fuller lips.  I actually bought the Sephora one for that purpose.

Medium Shader Brushs

 

 

The medium shader brush is the most basic of all eyeshadow brushes.  This is the most versatile of all the sizes, and is what most people will be looking for.  This set is about 3/8ths of an inch wide, and vary in length between 3/8ths of an inch and 5/8ths of an inch. 

 

 

These are great for applying eye shadow to the lid, especially if you want to pack on color, for either a strong look or when using a sheerer shadow.  They can be turned on their side and the tip used to apply shadow in the crease or under the eye.  From left to right they are an unknown hair by Japonesque, a goat hair by MAC, Real Techniques shading brush which is synthetic, a mix of natural and synthetic by MAC, a beautiful weasel by Hakuhodo, and another sable by Brandon that I got at a beauty store more than a decade ago and was my first "real" brush.  The natural/synthetic mix is good for laying down either powders or cream, and the goat is especially good for dense applications, the weasel is amazing and applies eyeshadow super smoothly.  These are also likely going to be the brush to turn to for applying powder shadows wet for foiling or super-dense application.  They can also double as concealer brushes for applying under the eyes or on large areas for redness.

Large Shader Brushes

These large brushes are about 1/2 inch wide, and are synthetic MAC, mix of synthetic and natural by Paula Dorf, and sable by Brandon. 

These are good for applying a base, either cream or powder.  Even though they are very wide, they are still flat, so they apply more product to the lid than a fluffier brush would.  This makes them great for something like a MAC paint pot, when you want to apply a thin but very even layer.  They also work well, obviously, for someone with a large or flat eye area.

Pros and Cons

Pros:  The flat shader brush is easy to use and versatile.  It's good for basic looks or as a base or detail brush for more complicated makeup.  They work well for wet or dry application and, depending on the hair type, are appropriate for cream shadows. They can double as concealer brushes and lip brushes.  They are useful for applying shadow to nearly every part of the eye area.  A shader brush is likely available in every line and price range, is often the core of the line, such as the Shu Uemura Natural 10, or the MAC 242, 239 etc. 

Cons:  These are not blending brushes.  While they can soften the demarcation between two colors applied to the mobile lid, these won't work well to blend a gradiant, so you'll need to use another brush to blend (fortunately, blending brushes will be the next brush types featured).  While they make for surprisingly good crease brushes when the tip is used, most eye shapes will prefer to use a separate crease or blending brush there. 

I fully believe a flat shader brush should be everyone's first eyeshadow brush.  These three sizes were my first three brushes, and I still remember the pride that my eyeshadow finally looked the way I wanted it to.  Choose one that fits your eye size, your budget, and how you want to use, and you will likely find yourself using it every day, whether your eye makeup is subtle or exciting.

The brushes featured in this post are: Sephora Synthetic Eyeshadow 18 (dc'd), Brandon Mini Shading Brush, Japonesque Eye Detailer Medium, MAC 239, Real Techniques Shading Brush, MAC 242, Hakuhodo S132, Brandon Fluff Brush, MAC 249, Brandon Shading Brush, Paula Dorf Wet/Dry Eye Color.  All were purchased by me and I was not compensated for this post.  One caveat:  the Brandon brushes I own were bought more than a decade ago, while they still have brushes by the same name available, I make no promises that they are the same brushes featured here.

Tokyomilk Dark Lip Elixirs

Tokyomilk Dark's lip elixer is not only my favorite lip balm of the moment, it's also one of my favorite products of all time.  To say I'm obsessed is an understatement; just look at the picture above--I currently own six out of eight of them.  The only ones I don't currently have are Dead Sexy, which I've never tried, and La Vie en Rose, which I gave to my mother.  The scents and flavors of these beauties are unusual, delicious, practically made for me.  I will try to control the gushing as I review the six presented here.

They come packaged in a gorgeous, metal tin, with raised lettering and design.  They can be hard to open, especially after they've clattered aroudn in purse.  They are originally sealed with a plastic band around the edge and a paper label across the middle.  This label is the only place with the flavor written on it, so I suggest you cut it, as I did, instead of peeling it off.  I love pot lip balms, mostly because they tend to be softer than sticks.  I know a lot of people worry about hygiene, but I am careful to only stick clean fingers in and not double dip, so I'm not worried.

Just look at that thick, luscious balm!  Don't you  just want to stick your finger in that?!?

Okay, so it's not the prettiest picture, but nobody's perfect, even though this comes close. 

Lip Elixirs are thick, they're a petrolatum and microcystalline wax base.  I know a lot of people don't like petroleum jelly, but I have always loved balms based on it: Kiehl's, Rosebud Salve.  Waxy lipbalms, like Burt's Bee's have always sat on top of my lips and never spread well.  This stuff, however, balances both petrolatum and wax in the formula, so the texture is neither overly petrolatum-y nor waxy.  It's like if the Kiehl's lip balm and the Burt's Bee's lip balm had a baby that was raised by Jack Black's lip balm. 

The ingredients, as listed on Cherry Bourbon, are:  petrolatum, microcrystal wax, flavor, canola ooil and oil barbadensis (aloe vera) leaf extract, tocopherol (vitamin E), tocopheryl (Vitamin E) acetate, stevia rebaudiana (Stevia) leaf extract, organic camellia sinensis (green tea) leaf extract, carthamus tinctorius (safflower) seed oil and jasminum officinale (jasmine) flower extract, monarda didyma (bee balm) leaf extract. 

I get a lot of moisture from them, and I do lean towards dry lips.  Actually, I ended up with most of them because my wonderful sister took pity on me and gifted me with five of them after my lip split open when I smiled.  They are also very protective; you can lip your lips--and you will want to--and they will still be on.  Now, on to the important stuff--how do they smell and taste.

No. 22 Smoked Salt

Flavor Notes: Smoked Sea Salt, Burnt Sugar, Molasses, Vanilla Bean (as per their website)

On first sniff, there is overwhelming smoke.  It's not a woody smoke, though.  After a few minutes, I start to get salt and a background of burnt sugar or molasses.  I never smell vanilla bean.  I think the smokiness would turn a lot of people away, but I kind of like it.

The flavor isn't really smoky at all.  The sweetness from the stevia dominates.  I get the burnt sugar and molasses notes and that's it.

This one is the most controversial, but it's unusual and if you like the smell of smoke, I think you will love it.  It's not my favorite, though.

No. 84 Absinthe

Flavor Notes: Anise, Mineral Salt, Citrus Peel, Crushed Herbs

How cool is it that there's an absinthe flavor!  The scent is the most waxy smelling at first, and I don't really get absinthe (though I keep meaning to smell my sister's bottle when I'm at her house).  I get some citrus, maybe a touch of the anise most associated with absinthe.  It's familiar, but I can't place it.  It's quite lovely, though, and probably one of the coolest scents/flavors in my opinion.

Flavorwise, I definitely get absinthe.  That licorice-y anise flavor and the sweetness reminiscent of a glass of absinthe with a sugar cube dominate.  It's damn awesome, and would be my favorite if it weren't for the fact that this flavor and this flavor alone makes my lips burn and itch.  Sad face.

No. 77 Cherry Bourbon

Flavor Notes: Cherry Brandy, Whiskey, Aged Wood, Clove

I smell cherry, whiskey, and that beautiful background of wood.  This one is very true to it's intended flavor notes.  Deep and rich and beautifully balanced.  I think cherry brandy is a great description of the cherry flavor, it's not candyish, nor overly fruity, and the whole thing if reminscent of a great glass of aged alcohol.

The flavor is really similar to the scent.  Rich and sweet with cherry notes and an aged bourbon whiskey. 

No. 36 Salted Caramel

Flavor Notes: Sweet Cream, Sea Salt, Caramelized Sugar, Toasted Vanilla Bean

The scent is instantly and recognizably buttery caramel.  More reminiscent of caramel popcorn than a fine candy, though.  After a few sniffs, the scent becomes deeper, more vanilla and more burnt sugar.

The taste is less buttery, more mellow caramely and salty.  It tastes like dessert, and I think it would be great if you want to try one and are scared of Smoked Salt or Clove Cigarette.  Delicious!

No. 60 Coco Noir

Flavor Notes: Dark Rum, Maraschino Cherry, Sweet Milk, Cacao Bean

The opening scent note is cocoa--super dark and kind of bitter--which is slightly artificial smelling and maraschino cherry.  It's a different scent of cherry than in the Cherry Bourbon, less alcoholic and more candy, which suits the note description of Maraschino cherry. 

It's tastes mostly of cherry, too, with the chocolate no longer strong nor artificial.  It seems there is less Stevia in the flavor, so it's not as sweet as the Salted Caramel or the absinthe.  This is definitely for the lover of chocolate covered cherries.

No. 18 Clove Cigarettes

Flavor Notes: Crushed Clove, Lavender Rose, Saigon Cinnamon, Vanilla Bean

Clove and cinnamon definitely dominate the scent, and I get just a hint of smokiness.  It's luscious and spicy.

The balance between the sweetness of the stevia and the flavor of the cloves is perfect.  It tastes nothing like sticking your head in the spice cabinet, fortunately.  This is undeniably my favorite flavor.  It's warm and sweet, but still super cool.  It's less your grandmother's cookies and more rebellious seventh grade smoking clove cigarettes in the girls' bathroom.  My imaginary junior high is much cooler than my real one was. 

Sephora sells three of them: La Vie En Rose, Salted Caramel and Clove Cigarette, and the rest are available from Tokyomilk's website.  All are seven dollars for .7 oz.